Rabu, 16 April 2014

[A495.Ebook] Fee Download I Can Read Music, Vol 1: Violin (For Violin), by Joanne Martin

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I Can Read Music, Vol 1: Violin (For Violin), by Joanne Martin

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I Can Read Music, Vol 1: Violin (For Violin), by Joanne Martin

These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method(R), or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.

  • Sales Rank: #4838 in Books
  • Brand: Alfred
  • Model: 1046205
  • Published on: 1995-02-01
  • Format: Abridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 11.25" w x .50" l, .60 pounds
  • Binding: Spiral-bound
  • 108 pages
Features
  • .

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By starwarstikal
Love it.

16 of 16 people found the following review helpful.
not very helpful
By Amazon Customer
I didn't find this useful at all. If you're starting from scratch and you don't know how to read music, I don't think this would help you, it didn't help me. It doesn't translate what the musical notes mean to position on the frets

22 of 24 people found the following review helpful.
Great for Suzuki Violinists
By Amazon Customer
This book is perfectly designed for the Suzuki lesson structure. If there is an able teacher and parent present to introduce and teach each lesson, the book is very successful. My students are exposed to the basic concepts of music theory in a theory class following their weekly group classes - so there is no need to explain basic concepts like the "treble clef" or "staff." There are plenty of introductory reading books out there for the older beginner, but this book has a gradual yet not monotonous pace, catering to an early beginner who has a support structure (parent/teacher).
I use this book for all of my students in a studio of 40+ Suzuki Violinists!

See all 94 customer reviews...

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Senin, 14 April 2014

[J642.Ebook] PDF Download The Man Who Invented Fiction: How Cervantes Ushered in the Modern World, by William Egginton

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The Man Who Invented Fiction: How Cervantes Ushered in the Modern World, by William Egginton



The Man Who Invented Fiction: How Cervantes Ushered in the Modern World, by William Egginton

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The Man Who Invented Fiction: How Cervantes Ushered in the Modern World, by William Egginton

In the early seventeenth century, a crippled, graying, almost toothless veteran of Spain's wars against the Ottoman Empire published a book. It was the story of a poor nobleman, his brain addled from reading too many books of chivalry, who deludes himself that he is a knight errant and sets off on hilarious adventures. That book, Don Quixote, went on to sell more copies than any other book beside the Bible, making its author, Miguel de Cervantes, the single most-read author in human history. Cervantes did more than just publish a bestseller, though. He invented a way of writing. This book is about how Cervantes came to create what we now call fiction, and how fiction changed the world.

The Man Who Invented Fiction explores Cervantes's life and the world he lived in, showing how his influences converged in his work, and how his work--especially Don Quixote--radically changed the nature of literature and created a new way of viewing the world. Finally, it explains how that worldview went on to infiltrate art, politics, and science, and how the world today would be unthinkable without it.

Four hundred years after Cervantes's death, William Egginton has brought thrilling new meaning to an immortal novel.

  • Sales Rank: #175411 in eBooks
  • Published on: 2016-02-02
  • Released on: 2016-02-02
  • Format: Kindle eBook

Review

"A heroic history of novel-reading itself." ―The Atlantic

"The tale of Cervantes himself is told with impressive acuity, thoroughness and exactitude by Egginton in his uncommonly full and readable book about genius." ―Buffalo News, Editor's Choice

"A revered classic here becomes strikingly new again." ―Booklist, STARRED REVIEW

“Egginton shines in his literary analysis, teasing out Cervantes’s genius in accessible prose and showing how Don Quixote paved the way for modern fiction by exploring its characters’ inner lives . . . An entertaining and thought-provoking reading of Cervantes’s masterpiece.” ―Publishers Weekly

"A celebration of a beloved novel and its innovative author . . . Egginton's well-informed history of 16th-century Spanish life, politics, and culture makes for an engrossing read." ―Kirkus Reviews

"William Egginton has written an engaging and enlightening book on the pivotal role of Miguel de Cervantes in the development of western literature. He amply justifies the truth of his wonderfully provocative title." ―Edith Grossman, renowned translator of, among other Spanish language masterpieces, DON QUIXOTE

"A poignant account of Don Quixote . . . The Man Who Invented Fiction is a worthy memorial to the eternal achievement that Cervantes wrought out of his own suffering and hard-won wisdom." ―Harold Bloom, Sterling Professor of Humanities, Yale University, and author of THE WESTERN CANON

"As this book shows us, Cervantes doesn’t simply predate our idea of fiction; he conditions it, gives it form, makes it possible. In this sense, the present book can be understood as a genealogy of the literary imagination and its suffering father… An entertaining, intelligent, solidly documented study." ―Andr�s Neuman, novelist, author of TRAVELER OF THE CENTURY, winner of the Alfaguara Prize

"Did Cervantes truly invent fiction? William Egginton argues persuasively that the publication of Don Quixote in 1605 has transformed the way people have read, written, and thought ever since―after all, the Knight of the Mournful Countenance has beguiled admirers as diverse as Descartes, Hume, Marx, Borges, and Graham Greene. Egginton presents Cervantes as an author of rare compassion, a man whose tempestuous, difficult life was somehow essential to forging his transcendent creation, the inseparable duo of Don Quixote and Sancho Panza, whose bond of friendship upends the cruel conventions of sixteenth-century picaresque novels in order to rejoice in the power of individual conviction. Like Don Quixote, The Man Who Invented Fiction is an inspirational adventure story." ―Ingrid D. Rowland, Professor of Architecture, University of Notre Dame, and author of GIORDANO BRUNO: PHILOSOPHER/HERETIC

"The Man Who Invented Fiction weaves a compelling tapestry of adventures in reading. Told with great panache, William Egginton’s presentation combines a unique understanding of Cervantes’s life, art, times, and the cultural debates that shaped his revolutionary fiction. It is essential reading." ―Marina S. Brownlee, Robert Schirmer Professor of Spanish and Comparative Literature at Princeton University, and author of THE POETICS OF LITERARY THEORY IN LOPE AND CERVANTES

"The Man who Invented Fiction is a wonderful reflection on the impact of life on literature and literature on life, a poetic and evocative meditation that succeeds at offering a detailed and nuanced look at the Spain of Cervantes. Ambitious yet highly accessible, Egginton’s book will become a great companion for scholars and students, as well as for all those simply interested in a novel that remains as relevant as ever." ―Enrique Garc�a Santo-Tom�s, Frank P. Casa Collegiate Professor of Spanish, The University of Michigan, Spanish poet, essayist, and literary critic and author of many studies on Spanish literature

"Elegantly woven into his riveting account of Miguel de Cervantes’ astounding life and adventures is a profound analysis and redefinition of one of the modern world's most important modes of organizing experience: fiction." ―Gianni Vattimo, renowned Italian philosopher, Emeritus Professor of Philosophy at the University of Turin, and author of ART'S CLAIM TO TRUTH

"The Man Who Invented Fiction is a fascinating, one-of-a-kind book. While Cervantes and his time come alive like never before in this rich, perceptive, and finely layered intellectual history, readers will be even more appreciative for the opportunity to re-imagine their own world through Cervantine eyes. Egginton’s new book is a deeply insightful and riveting read, a model for the type of scholarship that we associate with the public humanities." ―David R. Castillo, Professor Romance Languages & Literatures, University at Buffalo, and author of BAROQUE HORRORS

"Egginton's book is not simply a new interpretation of Miguel de Cervantes's fundamental text; it is also a new interpretation of his life and epoch as central to understanding how he invented what we now call fiction. This invention, which is at the center of Egginton's outstanding intellectual biography, is vital for everyone who still believes in the power of the arts in the 21st century." ―Santiago Zabala, ICREA Research Professor of Philosophy at Pompeu Fabra University, and author of THE REMAINS OF BEING

"The Man Who Invented Fiction shows what literary criticism has become able to do for non-professional and for academic readers alike, after an era of intense theory debates. It is an invitation to deeply immerse oneself into the early seventeenth century world of a veteran from the Spanish crown's imperial wars; and as this veteran is Miguel de Cervantes, the author of Don Quixote, the reader re-emerges from that past made present with a graspable but fully developed philosophy of what it is all about to engage in fiction under the conditions of Modernity." ―Hans Ulrich Gumbrecht, Albert Gu�rard Professor of Literature, Stanford University

"William Egginton offers a brilliant synthesis of the life and work of Miguel de Cervantes as he paints the engaging story of the birth of modern fiction and, in turn, of modern thought. With a nuanced grasp and engaging presentation of theory and philosophy, Egginton clearly details how and why Cervantes was a game-changer. History, politics, philosophy, and literature are beautifully combined in this ingenious exploration of Cervantes’ historical actuality, technical prowess, and artistic literary invention, as Egginton brings the author’s full story up to date and convincingly argues for its splendid vitality." ―Susan Byrne, Associate Professor of Spanish, Yale University, and author of LAW AND HISTORY IN CERVANTES'S DON QUIXOTE

About the Author
William Egginton is the Andrew W. Mellon Professor in the Humanities and a professor of German and Romance languages and literatures at the Johns Hopkins University. His highly praised academic books include How the World Became a Stage, The Theater of Truth, and The Philosopher's Desire, and he has coedited several other volumes. He has written for the New York Times' online forum The Stone, and regularly writes for Stanford University's Arcade. Egginton lives in Baltimore, Maryland and Vienna, Austria with his family.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Best yet on Cervantes.
By Elaine Burns
Best yet on Cervantes.

1 of 2 people found the following review helpful.
Biography and Times of the World's First Novelist
By Greg
This book did a wonderful job giving a detailed account of Miguel de Cervantes Saavedra, author of The Ingenious Gentleman Don Quixote de La Mancha. Set against the backdrop of 16th and 17th century Spain, it tells the life and times of the son of a poor barber-surgeon and how his most famous work introduced a new literary genre which would impact (and still does) novels to come. Even if you haven't read about the famous Don (but you really should), readers will still get an accurate portrait of a true genius.

5 of 5 people found the following review helpful.
Excellent, persuasive, lucid
By Amazon Customer
This book is an excellent read, not only for scholars and those with an interest in Spanish literature, but also for any literate book lover. The author makes a persuasive and lucid case for the unparalleled contribution Cervantes made to Western cultural and intellectual history. At the same time, Egginton weaves an intriguing narrative of the events in Cervantes' life that led to the creation of his memorable characters and stories. In doing so, the author admirably substantiates his thought-provoking title.

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Jumat, 11 April 2014

[D416.Ebook] Download PDF Acting With Text: A Classical Approach to Actor Training, by Paul Wagar

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Acting With Text: A Classical Approach to Actor Training, by Paul Wagar

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Acting With Text: A Classical Approach to Actor Training, by Paul Wagar

A classical approach to actor training

  • Sales Rank: #2016465 in Books
  • Published on: 2012-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .58" w x 6.00" l, 1.00 pounds
  • Binding: Paperback
  • 246 pages

About the Author
Paul Wagar trained as an actor in London, England, and worked with the Royal Shakespeare Company, the Stratford Festival in Canada, and the New Shakespeare Company, with whom he toured India and Sri Lanka. He was the Artistic Director of Toronto Repertory Theatre, Philadelphia Area Repertory Theatre, and Ark Theatre Company in Los Angeles. He taught for nine years in Oxford, England for the British American Drama Academy, was head of Voice at the University of the Arts in Philadelphia, teaches in Hollywood for Theatre of Arts, and is an Associate Adjunct Professor at UCLA.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good for the beginner or actor in training. Expensive.
By Amazon Customer
While the author's credentials and experience cannot be denied, his book unfortunately reads as choppy at times and offers little in-depth detail or new insight into voice, speech and text. On the other hand, the book is very straight-forward and to the point, which I think may be good for beginners or actors who are early in training. For most actors who have had some solid training in voice, speech and text,(one or two years of training including some phonetics) this book would likely be basic.

I was particularly disappointed in the high cost (compared to other quality books on these subjects) and the size of the font. I thought that the high cost would be reflected in the quality and depth of material, but upon receiving it, I felt that I got less than what I paid for. The font is large (perhaps font 14 or even 16), the lines appear to be double spaced, (a lot of white space here) and includes several oversized photos. This all takes up precious real estate on the page. Obviously this makes it easy to read, but again, I did feel duped into thinking that I would receive twice as much material. Label should read: "Extra Large Font" or some such so the consumer is aware. If the book was written in a normal font (font 12) and the layout was more economical in use of space, it likely would come in at 100 pages or so; in my opinion, the price is very high for what you get. I do think the book is worth having if you buy the Kindle version, but if you want the paperback, you can get better material for much less.

What Wagar does do, which is unique (as far as I know), is to provide material on voice, text, phonetics/speech and a Classic American dialect all in one book, and he manages to do it concisely (no frills or bonus material here). The downside is that with such a broad range of material, he doesn't do it justice. The cost, layout and basic material made me want to give 2 stars, but given the range of material, I would have to give it 2 and half (no option to do that here). As a professional actor and teacher, I certainly don't mind paying for good quality material, but I don't think that my rating would change even if the price was significantly less. Purchase if you want one resource of basic material on these subjects and don't mind paying extra for it.

0 of 0 people found the following review helpful.
Useful text with no fluff or filler -- great gift for actors (aspiring or established)
By LA Rosen
No filler, fluff, or pointless anecdotes -- just useful, direct, clearly well-informed info from clearly skilled and experienced actor/director/teacher with impressive credentials. Price seems miniscule compared to cost of author's class at UCLA or Oxford University. A valuable addition to any actor's (or public speaker's) reference library to learn and brush up skills. Also a great gift to aspiring actors. (I gave two as gifts and got great feedback from both recipients.)

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[S976.Ebook] Ebook Field and Laboratory Methods for General Ecology, fourth edition, by James E. Brower,Carl N. Von Ende,Carl Von Ende,James E Brower Jerrold

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  • Sales Rank: #2986732 in Books
  • Published on: 1997
  • Original language: English
  • Dimensions: 10.98" h x 9.02" w x .47" l, 1.36 pounds
  • Binding: Paperback

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  • Published on: 1997
  • Binding: Paperback

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