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A landscape painting guide for oil painters that breaks landscapes down into component elements from nature, and showcases tools and techniques used by classic and modern oil painters for bringing these scenes to life.
�����Landscape painting is one of the most popular subjects for painters working in the medium of oils--from classic masters to contemporary artists. In�The Elements of Landscape Oil Painting, established Watson-Guptill author and noted instructor/painter Suzanne Brooker presents the fundamentals necessary for mastering landscape oil painting, breaking landscapes down into component parts: sky, terrain, trees, and water. Each featured element builds off the previous, with additional lessons on the latest brushes, paints, and other tools used by artists. Key methods like observation, rendering, and color mixing are supported by demonstration paintings and samples from a variety of the best landscape oil painters of all time. With�The Elements of Landscape Oil Painting, oil painters looking to break into landscape painting or enhance their work will find all the necessary ingredients for success.
- Sales Rank: #28134 in Books
- Published on: 2015-08-18
- Released on: 2015-08-18
- Original language: English
- Number of items: 1
- Dimensions: 11.29" h x .81" w x 9.30" l, .0 pounds
- Binding: Hardcover
- 208 pages
About the Author
SUZANNE BROOKER received her BFA at the California Institute of the Arts in 1979, attended by invitation the Whitney Museum Independent Study program in New York City, and pursued her drawing studies at the School of Visual Arts. In 1990 Brooker returned to the West Coast and studied life drawing with Gary Faigin at the Gage Academy of Art and completed her MFA in figurative painting under Domenic Cretera at California State University, Long Beach. The author of�Portrait Painting Atelier�(2011), Brooker currently paints and teaches drawing and painting at the Gage Academy.
Most helpful customer reviews
32 of 32 people found the following review helpful.
Good organization, real practical tips, and a beautiful collection of landscape paintings from many artists
By Toonie R
Many artists limit their selection of paintings in their books to their own works. This book, in contrast, includes the artist's own works (particularly when she is showing, step by step, how she goes about painting), but also works from many other magnificent landscape artists. (In fact, this book first came to my attention because the cover features a work by Renato Muccillo). The paintings are very well selected to illustrate particular points she's making. I love that the instruction in this book encompasses both the big picture and the nitty gritty (such as brush techniques). While many art books are geared to beginners, this is an excellent art book that I believe has a lot to offer even for advanced painters. I consider myself intermediate, and it's perfect for me.
21 of 23 people found the following review helpful.
Pair with Albala and Carlson, and you have everything you need on landscape painting technique
By Harold Roth
I would put this together with Mitchell Albala's book in terms of helpfulness and beautiful images (and in fact Albala has a couple of paintings in this one, and I love his work, but I especially enjoyed the works here by Renato Muccillo). Although I paint in acrylics, not oils, I've been struggling with techniques I relied on in watercolor that don't work as well in acrylic. Most acrylic painting books seem to focus on gimmicks like gold leaf or carving shapes in gesso, and that is not what I want to do. I've looked at some other books on oil painting but they often relied on wet-in-wet and/or painterly techniques, which is not something I want to do with acrylics. I could see right away that this book gives many examples of the painter working over a dry layer, which is what I do, so these are techniques I can use. I have seen many examples of so-called Old Master type painting that involves toning the support, but I had not seen any colors used for that besides grays and earths. This is the first time I saw someone toning with cadmium orange. Right away I wanted to try that. I also appreciated the description of a flake white hue made from 1 parts titanium and 2 parts zinc. I have just begun working with white (since it's a no-no in watercolor, I never used it until the past year or so), and this formulation I will definitely try. The step-by-step paintings of clouds are especially helpful. Lots of good stuff here!
0 of 0 people found the following review helpful.
In The Middle
By Stuart Schulz
This book begins slowly, seemingly buried under a thick layer of verbiage and beautiful thoughts, without much practical application. Like music, you just can't read about art technique for long without dozing off. I almost gave up, thinking she might make a better writer than painter. But the quality of the art led me on, and by the middle of the book, the author stopped talking and started showing, and the book suddenly came alive...her observations and suggestions were first class, even for me--a long-term landscapist. I think next time she should just drop the first fifty pages and begin "in medias res" as the Greeks used to say, or maybe the Zoroastrians, I forget.
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